State of LAND
(condition report)
State of LAND
Reply
Tag Archives: Zemack
Iconic MAN
Iconic MAN
Simon’s Secret… Now at Fresh Paint art fair TLV, and at the San Francisco Fine Art Fair / Zemack Contemporary
“Simon’s Secret” was photographed in 2004, during my “Forevermore” project. It is a constructed image from about 1,000 photos, taken while observing Room #40 at the Hansen Hospital (The Leper House) in Jerusalem. The first version (Room 40 with Red Chair, 2004) did not include the woman sitting on the armchair, also several objects and details in the space have been re-constructed now with different photos than those appearing in the ‘old’ piece.
Simon’s Secret detail
Simon’s Secret, 2004-2012,
C-print, 90 x 134 cm
Simon’s Secret detail
Yellow Raincoat / WORK / The Israel Museum’s Renewal Project
-Thinking about Micha Ullman’s film Place (1975) while observing Chinese worker at work
WORK – Zemack Contemporary Art Gallery, Tel Aviv, April 28, – June 17, 2011
Scaffolding 4, HD video
- Surveyor-1, HD video
Israeli Grill, HD video
Grill Room
Chips. HD video
Chronvation 6, detail, Work in Progress
Chronvation 6, detail, Work in Progress
Chronovation #4 detail, Work in Progress, The Israel Museum
Chronovation #4, detail
Chronovation #7 – detail, Work in Progress, The Israel Museum
Chronovation #7 - detail
Purity & Danger
Zemack Contemporary inaugural group exhibition,
opening December 23, 2010, 19:00 – 22:00, http://zcagallery.com/
"Late Checkout, The Savoy", Purity & Danger exhibition, Zemack Contemporary Gallery
Curator: Dr. Ktzia Alon, Artists: Jan Rauchwerger, Lee Yanor, Lena Liv, Osvaldo Romberg, Yigal Ozeri, Yuval Yairi
“Zemack Contemporary Art Gallery’s inauguration exhibition aims at exploring the powerful figurative icon of the female body. The exhibition presents diverse visual aspects of examining the ‘genderized’ body, vacillating along the tense axis of desecration and sanctification, visual taboo, seduction and purity.
The female body’s entry into the space of the artwork (be it video art, painting, photography or any other medium) is a momentous entry. Due to its being positioned in a conflictive place in the patriarchal culture, overloaded with “otherness”, the female body is spontaneously grasped as a soft platform for trial and error, drafting, kneading, squeezing, twisting, pinching, and pain”.
(from exhibition text by Dr. Ktzia Alon)
Looking in, Looking Out: The Window in Art
.
The Israel Museum, Looking in, Looking Out: The Window in Art, Curator: Hagit Alon,
"Malha" and "Room with A View" at the Israel Museum, Looking in, Looking Out
May 7, 2010-Feb. 20, 2011
Now on view: Roundabout exhibition, City Gallery, Wellington NZ, until Jan. 16, 2011
Sailing to Byzantium, detail (fresco)
Yuval Yairi יובל יאירי 